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शुभ मंगल ज़्यादा सावधान फुल मूवी डाउनलोड 

 

Movie Plot

Shulmangar Ziada Safdan is the story of two men in love in the era of verse 377. Aman Tripathi (Gitandra Kumar) is the son of Shankar Tripathi (Jajraj Rao) and Sunaina (Nina Gupta). Their base is in Allahabad. Oman works in Delhi and his family does not know him. He is gay and lives with Ayushmann Khurrana. Kitandra's cousin Goan (Maanvi Gagroo) is about to get married, and Nina calls Oman to get her back to the wedding. At first it was rejected, but then he succumbed. Kartic also joined him, and they met the entire Tripassi family on a marriage train named "Viva Express". 
On the train, when Oman and Katick thought no one was watching, they would kiss. For them, unfortunately, Shankar saw them and he was hit by his life. He did not tell anyone out of shame. At Grid's wedding, Oman kissed Kartic in front of everyone, which shocked the Tripassi family. Thanks to this development, Goger's fiance refused to marry. Angrily, Grid ran away. Kartic was asked to leave, and Shankar's brother and Goger's father Manurishi Chadha sent him to Allahabad station. At the train station, Katick ran into goggles, preventing her from ending her life. She told Katick that he should not run away, he should fight for his love. This inspired Cartic, who decided to come back and win not only Kittendra, but the entire Tripasi family. What happened next formed the rest of the movie.
The story of Hitskevalia is decent and has the potential to become a game changer. However, the script of Hitskevalia is a culprit. He used humor as an excuse to take advantage of too many indigestible situations. This is also common in SHUBH MANGAL SAAVDHAN, but there, they maintain a good balance. Here, the balance is not there. The first half was pretty good. But in the second half, everything will go downhill. Hitskevalia ’s conversations are clever, but some of them have just passed their peak. Even a sentence that was supposed to be funny would take away the realism of the film. That's right.
Hitskevalia ’s direction was weak. There are many vice films in this movie, but he didn't put it together. A major part of this film is about the rifts within the family, during this time, the basic point of view of homosexuality relegated to a secondary position. Moreover, he should be completely successful in both comedy and information. Unfortunately, he is unfair in both respects. Even the black cauliflower corner provided laughter that initially proved to be the biggest drop in the movie's climax. It brought a bad deja vu to the "Karabandar" corner of Delhi-6 [2009]. On the positive side, he rarely cooperates with Elan, and some scenes really make people laugh.
The opening of SHUBH MANGAL ZYADA SAAVDHAN is very funny, and the short section of black cauliflower is very funny. The scene of Bhumi Pednekar also adds fun. The scene of Shankar Triptip kissing caused the whole house to collapse. Like Oman kissing Kartic in public view, Oman and his parents talk about dopamine and other similar things, these scenes keep people's interest. However, after the interval, the film will drop. These scenes should be interesting, but don't make you laugh. At the same time, it becomes too preaching and unconvincing. The manufacturers tried their best to make things interesting, but failed.

Shubh Mangal Zyada Saavdhan | Public Review | Ayushmann Khurrana | Jitendra Kumar | First Day First Show
Shockingly, Ayusman Kulana is not what he usually looks like. He always plays the victim, but here, he plays the abettor, an actor with his ability should hit the ball out of the park. Shockingly, he fell into the water. Another more shocking thing is that his screen time is very limited. Believe it or not, Galaj has the longest screen time, followed by Kittandra, then Ayusman! However, Gajraj Rao is as good as ever and is executed according to the script. Kittandra Kumar is suitable for this role, and he had great games in the first half. Nina Gupta was average. Manurishi Chadha and Sunita Rajwar (Champa) dealt fairly with their respective parts. Pankhuri Awasthy (Kusum) is very interesting. Manvi Gargrew almost never laughed. Neeraj Singh (Keshav) is decent. Bhumibol Dnekar can be passed, and Gopaldut (the doctor on the train) is good.
The music is lively and combined with the movie. Piar Tainu Kada Gabru is the best, followed closely by "Arei Piar Kahler", which is played at the end of the film. Urala has a great moment, and 'Jie Litum Kafiho' can be forgotten. The re-created version of 'Kea Map Saina' sounds good, but it is not well utilized. Karan Kulkani ’s background score adds to the movie ’s quirks.
The filming of Chirandan Das is appropriate. Ravi Srivastava's production design is synchronized with the film background. Ankita Jia's clothing is very realistic, and the one that I should mention in particular is the look of Ayousman. Ninad Canokal ’s editorial work has no complaints.
Overall, Shulmangar Ziada Safdan is a good attempt. He made an interesting comment on homophobia in our country. At the box office, it has the opportunity to work with urban audiences, especially young people. However, how to attract family viewers and viewers from small towns will be a challenge. The appearance of Ayushmann Khurrana may promote its collection. 

 


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